Born in the San Fernando Valley to well-known actress Abby Dalton, our August Spotlight client Kathleen Kinmont has been immersed in the industry her whole life. We recently had the opportunity to talk to her about her childhood, her experience as a woman in Hollywood, many of her iconic roles in horror films, and more recently, her success as an author! We’re thrilled to chat with Kathleen. 

1. You grew up surrounded by the business as your mother, Abby Dalton, was a successful actress during the 60’s-80’s. You were even cast in The Joey Bishop Show as a baby the year you were born. What was this type of childhood like?
I was blessed with two loving parents who gave me and my two brothers an exceptional childhood in a charming neighborhood in the San Fernando Valley, Toluca Lake, California.  Conveniently nestled between several major studios, Toluca Lake became the ideal location for the many creatives in the entertainment industry. To me, it was ‘Mayberry’, because it was all I knew, plus Andy Griffith lived down the street. I grew up around all kinds of celebrity personalities. It was normal to have someone like Davey Jones from ‘The Monkees’ over for dinner, or James Caan join us for Thanksgiving, or Debbie Reynolds over for coffee. I grew up with John Wayne’s grandkids, so every once in awhile his massive frame would fill the doorway. It was routine to be surrounded by performers in front of and behind the camera. I never realized the magnitude of star power until I became older.

2. Your first film role came years later – you were almost 20 at the time – in Hardbodies. What was it like being on set?
I was fresh out of barely graduating high school and teetering on the notion of going to college, so when ‘Hardbodies’ came along, I figured I was set, because I was on a set. I was actually 18 at the time of filming and was equipped with two things, a pair of roller-skates and zero clue. It was my first time in front of the camera as an adult and there was a lot of pressure for me to disrobe. My character firmly says in a photo session scene, “I’m not taking my clothes off.” Plus, it wasn’t scripted. It was my first foray into navigating the shark infested waters of sexual harassment and power abuse on set. I learned a lot from that experience and I also met my friend and fellow cast mate, another CRM client who continues to inspire, Courtney Gains. It was wonderful to circle back and work with him again in the 2019 indy, ‘The Silent Natural’. No roller skates that time and a little bit more of a clue.

3. Were you encouraged by your mother to pursue acting? Was it something you always wanted to do?
I was encouraged by my mother to always do what inspired me. She never pushed me into acting but she saw that by the time I was 15, I’d caught the story telling bug. My mom gently guided me into taking the necessary steps a performer needs to hone their craft. She was incredibly generous with her time and her truth. I knew firsthand about the pitfalls in the business from several stories of my mom’s own personal experiences. Back in the 20’s – 2000’s there was basically no protection from any kind of harassment. Thankfully, she uplifted me with a very strong voice that has probably saved me from quite a few scraps. I have always wanted to work and have a job as a performer and for many years that was a whole different ball game for women in the industry. If my own 15 year old daughter ever wants to step into this business, I will give her the same talk, but at least I will know that a lot more ground work has been laid in the protection of everyone on the set. Yes, we have come a long way, baby.

4. In 1988, you starred as Kelly Meeker in Halloween 4: The Return of Michael Myers. What was this experience like?
‘Halloween 4’ was my first horror film and franchise experience. It was a thrill to work with veteran great, Donald Pleasence, while alongside, Danielle Harris, who was only 9, and also a convincing and gifted actor. I arrived in Utah and discovered that one of my own high school friends, Sasha Jenson, would be playing ‘Brady’, the boy I seduce. I was 19 and not old enough to drink but old enough to understand what’s what. My character, ‘Kelly Meeker’, the sheriff’s daughter, has a great opening line to a young local working up the courage to ask me out. Before he even has a chance to exhale, I cut him off with, “Fuck off Wade.” It wasn’t scripted like that, but I was game to give it a try and they used it for the film. That particular experience certainly freed me up as an actor to experiment with moment’s and words that are not on the page, just to see where it takes you. Or as our director, Dwight Little, said that day when he changed the line, “Let’s just try it once, for shits and giggles.” It worked and I gleamed that as long as it doesn’t feel compromising, improvising is a welcome blessing to improve what’s on the page.

5. The Halloween franchise has amassed a cult following over the years – comprising eleven films spanning five decades. What is it like being a part of such a franchise?
It’s a thrill to be part of a franchise. What’s better than banking on a built in audience and fanbase? I think the tremendous amount of pressure and responsibility that comes with representing a brand inspires everyone involved to a higher level of performance. I know that no matter what the job, we do our best and hope that it does the franchise well, while simultaneously worrying that if it sucks, you’ll forever be a part of the one that sucked. Hopefully, everyone on board is feeling the same excitement and brings their own personal A Game.

6. Following the success of Halloween 4, you were cast as the title character in Bride of Re-Animator. What was it like playing Gloria/The Bride?
‘The Bride of Re-Animator’ is the standard by which I measure all forms of why I am an actor. It was everything that made me realize how much I love to perform, engage and embody another being. To educate, entertain and enlighten is why I am in this business, and I’m not talking about the audience. I personally learned so much about myself and what my mind can tolerate on a rollercoaster of complete abandon. I was way out there with that character and from that view I experienced tremendous highs and lows on and off the set by taking on ‘The Bride’. It was a gift.

7. At this point in your career, you started to become known for starring in Horror movies. What do you think of this notion? What do you like about the horror genre?
I think that when you become known for something it means that you could possibly be finding your niche as an actor. It also means you have a fanbase from that particular film or television genre. Quite honestly, I’m very grateful for being known for anything. It’s a wonderful thing for an actor to become identified with a part, which means someone saw it and they possibly liked it. Horror films are very dramatic and because of that fact, my life as a dramatic actor grew. My dedicated fanbase for horror films has a tremendous loyalty factor that spilled over into my other work. It’s amazing when parents have turned their kid into a fan from one of my films or shows. That’s true fan love. I also believe that we morph into different people as we continue to grow as an artist and in age. As long as I’m still willing to share myself and give as an actor, I believe I’m capable of playing all kinds of characters. 

8. In 1992, you landed a Series Regular role on Renegade. What did you enjoy about playing Cheyenne Phillips?
I never auditioned for the role of ‘Cheyenne Phillips’. She was handed to me on a silver Stephen J. Cannell platter. She was a smart, strong, love-sick, bad-ass. I loved that I had a Native American stepbrother, ‘Bobby Sixkiller’, played by the wonderful, Branscombe Richmond. We were bounty hunters with an endless supply of bad guys to chase. I enjoyed that Cheyenne’s unrequited love with the lead of the show, ‘Reno Raines’, went on for four seasons. That was fun. They never got together in the show, but they did divorce in real life. I had the added glamour of working with my then husband, Lorenzo Lamas, who played ‘Reno’ in the show. We split up halfway through the second season and continued to work together for two and a half more seasons. It was the play within the play and it arrived with a boatload of emotions and responsibility. It was the best and most difficult of times and I wouldn’t trade a single frame. The friendships and memories are some of the most special in my heart.

9. At this point, having experience both on a popular movie franchise and on a hit TV series, what aspects of each did you prefer?
Making a movie is similar to a summer romance, where a TV series is more like a marriage, that will eventually get cancelled, or everyone calls it quits. Either way, everyone in the entertainment business habitually bounces from one lucky job to the next. I think movie’s are wonderful in their ability to entertain us in a stand alone, special kind of way. I also adore binging on TV series where we can really get to know the characters and follow a story line into several hours and possibly days of entertainment. I’ve been greatly influenced by story and performances from both genres and in our current climate, all I can say is, “Thank God for every creative who helps facilitate in making and creating entertaining content. We’d really be bummed without you.”

10. In the late 2000’s, you took a step back from acting to pursue other ventures. What was this period like for you and what were you able to accomplish?
I had already been in the business for well over 25 years and beginning to experience what everyone will eventually go through if you hang in there long enough – ageism in Hollywood. At that time, I was living in La Crescenta, with my young daughter and I needed to take a step back and reevaluate what was most important in my life. It was a pretty easy choice, one that I’ll never regret. As I redirected my focus into my daughter’s formative years for growth, I also started writing and producing my own content. I directed my first short film, ‘Mrs. Sweeney’, starring my mother, Abby Dalton. I wrote and directed a TV pilot, ‘Fame Game’, a female ‘Entourage’. I really do love being behind the camera and it gave me even more of a profound respect for the amount of money and energy that goes into production and how truly vital every person on set becomes. Although, I think the most important thing I was able to accomplish during this time was how much I loved and missed acting. There’s no way I could stay away forever. 

11. More recently, you have been writing your own books. In late 2019, you published your first children’s book Magic & Beauty. What inspired you to write this book and what was the process like?
‘Magic and Beauty’ was inspired by a conversation I had one dewey morning with my little girl on her way to pre-school. She was coming to grips with things and where they came from and wondering if they were going to stay. As we pulled out of our driveway she asked, “Mommy, is our house still going to be here when I come home?” I gave a resounding, “YES!” And thought, wow, thank you ‘Wizard of Oz’ – that’s what I get for letting my four year old watch a classic on repeat. Then she asked, “Where does all this stuff come from?” “Stuff?” I asked. “Trees and plants and animals… you know, Mommy – Stuff!” “Oh, okay, umm, I’m pretty sure it’s all from God. That’s what I heard, anyway.” She thought about this for about a mile while she gazed out the window at all the stuff zipping by, and then she finally said, “That’s a lot of work. She must have been really sweaty.” I looked in my rearview mirror at my little darling angel in her carseat and said, “Yes. It was a lot of work – and she was sweating like a horse.” From that moment, I began creating my own creation story for my four year old who is officially horse, unicorn and pegasus crazy. Fortunately, no one owns the rights to this narrative on who, how or why we got here, so I’m pretty sure I won’t get sued.

12. Just this summer, you had the release of your second book I Should’ve Been Nicer to Quentin Tarantino: and Other Short Stories of Epic Fails and Saves. As this is a collection of short stories – and not a children’s book – how did this process differ from your first book? What inspired you to write it?
‘I Should’ve Been Nicer to Quentin Tarantino and Other Short Stories of Epic Fails and Saves’ is a book about my life’s screw-ups, saves and lessons. I wrote this book for my daughter in an effort to give her some insight on who I was and who I’ve become. I believe our failures are stepping stones to growth and enlightenment. When we give ourselves an opportunity to acknowledge where we’ve failed with some humor and a light heart, we can release ourselves from things that no longer serve us. I’ve created my own genre, spiritual satire, as I think we are more willing to continue to learn when truth and humor collide. The difference between the process of writing my children’s book and this book was the time invested. The children’s book is 23 pages, my non-fiction is 432 pages. Big difference.

13. What is on the horizon for Kathleen Kinmont?
Awe, the horizon… I would love to use this moment and manifest a prayer for all of us. I pray we all have good health, surrounded with love, strength and hope. Remain creative, compassionate and considerate. Practice a sense of calm, while actively finding ways to be of service. In other words, Let there be peace on earth and let it begin with me. And for the Love of God, VOTE!  And if I can make one wish on the setting sun in the horizon – it would be for when the mighty factory of production resumes to be cast in ‘Yellowstone’. It’s an excellent series, and like my daughter, I’m officially horse crazy, plus I can ride.

George A. Romero is known as the “Father of the Zombie Film” all beginning with his 1968 film Night of the Living Dead. Since then, Romero has written and directed dozens of films. Later in his life, Romero turned to fiction as to rid himself of the constraints of filmmaking. At the time of his death, The Living Dead was an incomplete novel. 

Over the past three years, Romero’s longtime manager and friend Chris Roe worked together with Romero’s widow and the Romero Estate in order to see the book through to completion. Enter Daniel Kraus – co-author with Guillermo del Toro of both The Shape of Water and Trollhunters. Kraus and Roe knew each other from high school, and Kraus was honored to be asked to complete Romero’s work. 

We have both Chris Roe – George A. Romero’s longtime friend and manager – and Daniel Kraus – co-author of The Living Dead – to answer questions. The Living Dead comes out August 4th. 

Chris Roe

1. While George Romero is known as the “Father of the Zombie Film”, it’s been said that he felt constrained by filmmaking at times, and turned to fiction later in life to fully tell the story of the rise of zombies and downfall of humanity. As Romero’s manager for over fifteen years, how long had he been working on this book?
George started working on ideas for this book in 2009.  I put together a two book deal with a publisher, and they made a great offer.  George didn’t want to feel pressure from the time constraints, and decided to just write the two books and turn them in.  Unfortunately, George had a stroke in 2010 and it just derailed everything.  He made a full recovery a few years later and slowly got back into a groove with it, and figured out his story after spending his down time doing research.  He continued to tinker with it until he passed. He was planning to complete it in 2017.   At the point of his passing, the story had gone through many changes and rewrites.  But he was on track with a great story that Daniel ultimately was able to finish.  Between his chapters and notes, about 50% of it was complete.

2. What inspired Romero to approach the zombie genre from a new direction?
George was always thinking of new ways to talk about the human condition using his zombies.  I saw and heard him talk about so many different ideas.  He was a true genius.  He could insert social commentary into anything.  It was one of his consistent contributions.

3. After Romero’s passing in 2017, with the book unfinished, when did you decide to pursue avenues to complete his last work? What was this process like?
After George passed we looked at what was in his treasure chest.  What was written fully and partially.  We also had to look at other attachments.  Meaning, did anyone else have ownership to those various projects.  Were those people involved in the development.  I knew immediately that the book was free and clear of attachments.  It seemed to be the easiest property to do something with.  It wasn’t complete, but George had made a good start on it finally in 2013.

4. While you and Daniel Kraus knew each other back in high school, when did you decide to approach him about The Living Dead? How did it all unfold?
Daniel and I knew each other back in high school.  We both went to Fairfield High School, in Fairfield, Iowa.  Daniel was a year behind me. His sister Jennifer was in my class.  I never kept in touch with Daniel once getting out of school.  We were not close friends, but knew each other well.  Sometime in 2005 I think we reconnected, he reached out to me.  He saw that George was making a personal appearance outside of Chicago.  I said  I’d love to introduce him to George, and made the invite to come to our hotel.  George had really gotten sick that weekend with a bad cold.  But I was able to introduce the two in between our commitments.  I remember Daniel being very happy. It was nice to see someone else escape Fairfield, and go out and have a career in this business.  I was happy for Daniel’s success.  

5. What do you hope this now completed novel adds to the George Romero legacy?
I hope that it continues to show George’s genius and talent.  George was a pioneer in this business.  Pioneers never really get the respect they deserve.  They get credited for breaking down doors, but financially, they rarely get rewarded for their contributions.  George is the only legendary modern horror director with a star on the Hollywood Walk of Fame.  Carpenter, Craven, Hooper, none of them do.  We have a lot of things in the treasure chest.  I hope some get to see the light of day.

Daniel Kraus

1. Growing up, you had been a huge fan of George Romero. What about his work interested and inspired you? What was your favorite project of his?
I grew up on George Romero like some kids grew up on Star Wars. Part of it was simply that my mom loved Night of the Living Dead and passed that love on to me. But his ideas excited me in a way that no other artists’ ideas did, and they stuck to me like burrs. George’s movies taught me to think about art as metaphor, and that was hugely influential in both my personal and artistic growth. So Night was my favorite, but I also became obsessive about Day of the Dead and Creepshow. I don’t think he ever made a bad film.

2. When Chris reached out to you about finishing one of Romero’s uncompleted works, what was your reaction?
I was stunned. It was beyond belief. I still don’t fully believe it. To be a part of this world that affected me so greatly, it’s like the closing of a lifelong circle. 

3. You and Chris went to the same school together.  What was it like working together all these years later?
Yes, we went to the same small-town high-school in Iowa! The idea that we both ended up in the entertainment industry, and then circled back together decades later, is pretty incredible. Honestly, it makes me feel proud — proud of Chris and proud of myself. There wasn’t a lot of effective support for the arts in small towns back then, so success in the wider artistic world required a lot of resolve, energy, and self-sufficiency. 

4. While you have written many novels on your own, and even gone through the process of co-writing a book with award-winning film directors, how was this experience different? What was your process like?
Not having George around to bounce ideas off of made each decision I made feel more weighty. Thankfully, I did months of research getting myself inside George’s head, had many fruitful discussions with Suz Romero and Chris Roe about George, and had the benefit of a lifetime of studying his work. The biggest challenge was connecting the dots in a way that felt natural and fluid. George’s material included pieces that belonged at the start of the book, the middle, and the end, so I had to build bridges — and sometimes very long, complicated bridges.

5. What did you feel was most important to get across while writing The Living Dead? What do you hope fans take away from it?
George’s manuscript really came alive when he was writing about people, their backstories, and their moral grayness. He believed we were all shades of gray, none of us completely good, and he never gave his characters an easy way out. His larger message, of course, remains that Americans continually fail to band together in a crisis — we see that in his movies, we see that in America’s response to Covid-19, and we see that in this novel, and I took pains to highlight it. 

6. What does it mean to you to contribute to the legacy of someone you’ve long been a fan of?
It’s hard to call it a dream come true, because it is BEYOND any dream I ever had. I wasn’t just a fan of George Romero. He was a father figure to me, a teacher, a guide. He made me into the person and artist I am, and to feel like I’m paying that back to help get his epic novel over the finish line fills me with joy every day.

While our July Spotlight Marcie Barkin has a fairly unconventional start in Hollywood, her career and continuous love for the craft has spanned over decades. After a number of roles in hit shows of the ’70s and ’80s, Marcie left the business entirely to create her own computer consulting company. But that couldn’t keep her away long – Marcie returned to acting in the early 2010’s and has been working ever since. We’re so excited to talk with Marcie about her career.

Barkin in the career-starting Chevy commercial.

1. Your start with acting is a little unconventional. Working at an ad agency, when they were unable to cast a Chevy car commercial, you hopped in. Was acting something you had previously been interested in? When did you know you wanted to pursue it?
I never even thought about acting at any point. Painful, short lived piano lessons as a kid stifled interest in any creative endeavor! It wasn’t until I saw myself on the screen in that Chevy commercial that the idea of being an actress occurred to me. I saw someone else up there on the screen – it wasn’t me. That transformation fascinated me.

2. Throughout the ’70s and ’80s you had many recurring roles on hit TV shows of the time – All in the Family, Welcome Back Kotter, Tales From the Dark Side, The Harvey Korman Show, The Facts of Life, etc. What were these like?
Being on hugely successful, well known shows, working with ensembles that were already cohesive and subsequently being recognized for the first time all provided the foundation for a leap in my acting skills and confidence. I became totally at home playing with ‘The Big Boys’, and that shift served me well in all the auditions and jobs that followed.

Barkin’s father posed outside a billboard in Arizona featuring his daughter.

3. You also had a recurring role (6 episodes) on Santa Barbara. What was your favorite thing about playing Marcia?
For the first (and just about only) time, I wasn’t type cast as the ‘Best Friend of the Tits and Ass’. I was a BAD GIRL! I was a drug pusher who was trying to re-addict the lead character. The station actually got HATE mail for Marcia which led to more episodes for my character. A quick story – when the show was airing, I went to the Hamburger Hamlet on Sunset for lunch, and the waiter wouldn’t serve me because, as he said, “How could you try to get Gina to do drugs again? SHE’S BEEN THROUGH SO MUCH!” And he stormed off and got someone else to wait on me. Honestly, that’s a true story.

4. You also had roles in a variety of films at the time – The Van, The Boob Tube, Kitty Can’t Help It. How would you describe those experiences?
They were all ‘B’ movies, but ‘A’ experiences… doing all those low budget, independent movies was a mine field of learning. I basically realized that I had to fend for and protect myself – understanding that I had to make my voice heard in the midst of generally inexperienced film makers. Certainly my acting choices were my own as there really wasn’t any direction – you were basically hired based on your audition and they just expected you to say your lines. Those early films gifted me with opportunities to find my creative voice and learn to trust my instincts.

Barkin in The Van (1977).

5. Despite early career success during this time, you left the business in the late ’80s to start your own software consulting company. What inspired this change?
I had a mentor at the time who repeatedly discussed the diminishing returns of a woman growing old in front of the camera… back then it was especially true. He saw the statistics and wanted me to have a career that would see me into middle age without the mark of ageism. His intention was sound, as was his suggestion that I go into computers…but it took me years to leave Hollywood. I finally left at the height of my career, kicking and screaming, much to the dismay of my agents and manager. I moved to NY (it was too painful to be well known in LA) and started the very difficult quest of a career in the software industry. It’s particularly gratifying for me to see that now we have women-owned and run production companies, and more women in all areas of film and TV.

Barkin in The Boob Tube (1975).

6. During the time at your computer consulting company – How were you able to continue flexing your acting chops?
The truth is, I never stopped acting. Every morning, I would wake up and say, ‘Who am I playing today?’ And then I’d look at my schedule and think, ‘Oh! I’m a corporate professional.’ And I’d lay out the business suit, silk blouse and heels. I always felt as though I was playing the part of a company owner and consultant – it never felt like who I really was, despite all the education, the technical speaking engagements and the meetings with CIOs of billion dollar companies.

7. Regarding your technical background – How has this specific background influenced your acting now that you have returned to the entertainment business? Why did you ultimately decide to return?
Oddly, dealing with all levels of people in corporate America has opened up different, intuitive methods of communication which have enhanced my ability to read body language and nuances of behavior and speech. So I think I’m more aware in my acting now. Also – after developing my own enterprise software product, these enhanced communication skills have helped me sell my product to global companies. The key to selling a product is to sell what you believe in, and certainly as actors, we have to not only believe in ourselves as the product, but we have to believe in and become the person we’re playing.

Why did I decide to return? How could I not? Acting is the only career/expression I’ve ever loved. It’s an integral part of me. I missed acting every single day for the years I was gone. So several years ago, I had a social trip planned to LA…and on a whim, before I left on my trip, I called a casting agent I knew well from the old days. Upon asking him if I could meet with him when I arrived (Wow! He was still in the business!), he said ‘Of course! Where the hell have you been?’ Two days after arriving in LA I had a commercial agent and an apartment… and the rest, as they say in Hollywood, is history.

Barkin as Madelyn in Carbon Dating.

8. In 2015, you were the lead (and Associate Producer) in a web series called Carbon Dating. How did you get involved with this? What did you most enjoy about playing Madelyn?
Carbon Dating was unexpectedly born out of a whining conversation with an actress friend in our acting class. I was complaining that I was sick and tired of only playing small parts in web series… I loved the medium and wanted to play a lead! Damn it! But I didn’t write so was relegated to whatever was offered. My friend said, ‘I can write.’ My response was simple – ‘Write us a damn series!’ 2 weeks later she sent me the pilot script and when I laughed out loud, a show was born.

Ah, Madelyn – my polar opposite. Which is why I love playing her. I feel sorry for her – her insecurity, her damaged self-image, her manic desire to be accepted and loved. I love her simmering righteous anger which lives a hair’s breadth beneath the surface. I root for her – I’m her biggest fan. I want her to find herself and not be defined by being someone’s wife or needing to fulfill others’ expectations. I want her to realize she’s wonderful just as she is…if she could just get out from under her deeply bruised ego.

9. Acting over a span of many decades – What are the biggest changes you’ve noticed in the entertainment industry? What changes do you think still need to be made?
I think I can sum up the current state of our industry by saying that it encompasses the good, the bad and the ugly – When I returned to the business, it seemed to me that much of the personal connection was now missing – no more Casting Director ‘Meet and Greets,’ no meetings just to get to know you and talk about your work and your aspirations. I understand that there is a huge talent pool now, but I miss the individual attention. And I also miss the amount of money we used to be paid for ‘national’ commercials LOL! The good news, however is that in this new Digital environment we have the ability and means (Indiegogo, etc.) to self-tape auditions and create our own content, allowing us to be creative and productive to an extent that was unheard of. We no longer just have 3 networks to work for, so the width and breadth of opportunities is much deeper. And we also now have a greater pool of independent talent in front of and behind the camera with whom to work and create. What changes should be made? Ask me again after we return from the pandemic…

10. What does the future look like for Marcie Barkin?
I’m the eternal optimist, so I suspect my future will be fabulous… if I can just get out of self-isolation in my apartment AND Hollywood figures out a safe way to start production. This will no doubt be a new era for the entertainment industry, but we survived talkies and streaming channels and so much more, that I’m confident the need for people to be entertained will keep us in business.

I have great admiration and respect for veterans like Betty White and Helen Mirren who have spanned the decades, and risen to the challenges that inevitable change brings. I’m in a position to play parts that wouldn’t have been available earlier in my career – and in new formats. I’m anticipating a future filled with unique parts, working with creative people both established and new, bringing what I can to worthwhile projects. And being with Chris is my perfect home base – I’m confident that together we’ll surf the waves of this insane business. I’m so happy to be back.

Our July Spotlight Garrett Wang is known all across the world for his role as Harry Kim on hit TV series Star Trek: Voyager. Since his time on Voyager, Wang has been very active in the convention world as a moderator, has traveled extensively, worked on his golf game, and even started his own podcast. We’re so excited to catch up with Garrett. 

1. This year marks the 25th anniversary of Star Trek: Voyager. What was it like working on this show? Any memorable moments on set?
It’s difficult to believe that we have already reached the 25th anniversary of Star Trek: Voyager.  It seems like yesterday when I went in for my very first audition at Paramount Studios with Casting Director Nan Dutton. Self taped auditions did not exist back then.

Working on Star Trek was different from every other show in production at the time because we had to deal with extensive green screen work as well as having to learn how to navigate all the techno babble that was included in every episodic script. The hours were long, usually twelve to seventeen hours a day. I used to joke that filming a single episode of Voyager was more work than what the actors on “Friends,” which started the same year as Voyager, put in for an entire season on their show.

There were many memorable moments on the set. One particular moment that stands out happened while we worked on the Bridge set.  Bridge work days were typically the longest days because of all the set up involved. Once, to break the monotony of a long day on the Bridge, I decided to entertain Kate Mulgrew, who played Captain Janeway, by dancing my version of “Riverdance,” the popular Irish stage dance performance from the 90’s, to pay homage to Kate’s Irish heritage.  Not soon after I began my dance parody, the actors that portrayed Tom Paris, Tuvok and Chakotay lined up on both sides of me and joined in to create an impromptu synchronized dance routine. Kate practically fell out of her Captain’s chair from laughing so hard.

2. What was your favorite thing about playing Harry Kim?
My favorite thing about playing Harry Kim was probably the fact that being the youngest Starfleet officer on the crew meant that I was able to start with a blank canvas to create the character and add layers of nuance over the seven years worth of episodes. I know that the question didn’t ask this but I will also tell you my least favorite thing, which would be having to wear the extremely uncomfortable wool blend uniforms under the hot stage lights. They were designed to fit perfectly while standing. Any time I had to sit down it pulled in all the wrong places.

3. What has your experience been like being on a show with such a devoted fanbase?
Being on a show with such a devoted fan base has been nothing short of amazing. Many of these fans have been following Star Trek since the original series aired in 1966. They are loyal, intelligent, compassionate people who have shown their love and support for Trek in the past, present and will continue to do so in the future. 

4. What do you most enjoy being part of the Star Trek universe?
What I most enjoy about being part of the Star Trek universe would have to be knowing how much my show, as well as the other Trek series, have influenced people in such a positive way. Unlike all the drama-filled reality programs being produced which serve only to glorify judgemental, petty and vain behavior, Star Trek has always provided viewers with underlying messages of hope and how to better ourselves, how to raise ourselves to a higher level of consciousness, how to bring out the best in people.

If all the leaders of the world were forced to sit down and watch every episode of Star Trek produced, I believe there would be no more armed conflicts. On the same note, if every police officer was forced to do the same thing, police brutality would cease to exist.  I can’t tell you how many times I’ve met fans that have told me that watching Star Trek pulled them out of a bout of suicidal depression or fans that were in a horrible car accident with only a slim chance of recovery who relied on Star Trek to help them heal. Is there any other show in existence that can say they’ve saved countless lives?  I am truly proud to be attached to a show which I consider to be “must watch TV.”

5. You later went on to play the role of Commander Garan in Star Trek: Of Gods and Men. How did this experience differ from that of Voyager?
“Star Trek: Of Gods and Men” was an independent Star Trek film, not produced by Paramount. It was directed by my fellow Voyager acting alumni Tim Russ. I remember it was not long after we wrapped Voyager when Tim called to ask whether I would be willing to work on the project. I initially turned him down because I was exhausted after seven long years of filming Voyager, but when he told me I would be playing a character that was the complete opposite of my role on Voyager, to portray essentially a mirror universe character, I said yes.

Although I enjoyed playing the part of Commander Garan, the filming itself was probably the toughest I’ve had to endure in my acting career. We filmed in upstate New York during August which was also the same time that a Harley Davidson festival was happening. The set was located in a building that lacked air conditioning and was situated next to a set of train tracks. So, not only did we have to deal with the blistering humid heat, we had many takes that were ruined whenever loud motorcycles or trains passed by.  The producer also inexplicably opened up the set to a number of VIP fans, so in between filming, we were being bombarded by fan questions while trying to focus on rehearsing lines for the next set of scenes that we were about to film. 

6. What did you most enjoy about playing Commander Garan?
As I touched upon before, in the previous answer, the chance to play the bad guy was what I enjoyed the most about playing Garan. It also helped that the script was well written. 

7. You took some years off from acting to pursue other avenues. What other things were you able to do?
After Voyager ended, I worked on ST:Of Gods and Men as well as a nice role on the TNT mini series, “Into The West.” It was then, in 2005, that I made the decision to take a break from Hollywood. I have always loved to travel, but working on Star Trek was so time consuming that I was limited to weekend trips and thus only local flights.

So, from 2005 to 2010, I kind of went a little travel crazy. I visited thirty five countries during that five year time span. There was a time I flew back from Europe to the US, had a six hour break, where I went home to do laundry and then returned to the airport to fly to Asia. Three continents in 29 hours was definitely too much. I have since learned that moderation is the best policy.  

After traveling non stop for five years, I slowed things down by picking up the game of golf which I proceeded to play practically every day for four years, although my golf handicap probably stayed the same. It was also around this time that I began to immerse myself in the personal appearance/convention world. I took on the job of Master of Ceremonies for Fedcon, the largest European convention. I also filled the role of Director of Star Trek programming for Dragon Con in Atlanta. It was during this phase of my life that I discovered that I had a knack for hosting panels and other convention related events. As far as I know, I was the first actor to go behind the scenes and work for a convention.

8. You mentioned your involvement in various conventions over the years – even interviewing Stan Lee at the Calgary Comic and Entertainment Expo in 2012. What is it like being a moderator?
Being a moderator started in 2010, when I became the Master of Ceremonies for FedCon, the longest running European Sci-fi convention, which takes place in Germany. It was also not too long after that when I took on the job of Trek Track Director for Dragon Con. Both roles required me to be on stage and moderate every guest actor. I quickly discovered that I had a knack for it and thus moderating became something that I truly looked forward to and enjoyed immensely.  I then started to offer my moderating services to each convention that I was invited to. Some of the other conventions that I have been utilized as a moderator include Calgary Expo, Edmonton Expo, Montreal Comicon, Hal-Con, Phoenix Comicon and Denver Comicon.  Of all the countless times I’ve served as moderator, the only time that I’ve actually been nervous and “fan boyed” was when I moderated Stan Lee for the first time.  It still came off well, albeit my shedding a few tears of joy on stage with the man, the myth and the legend.

9. You’re also very active on social media and have a notable following on Twitter. How do you think social media has changed the way we view and interact with celebrities?
Years ago, it was Robert Picardo, who played the Doctor on Voyager, that told me how important it was to have a healthy number of Twitter followers.  He told me that Film and TV producers would often base their hiring decisions on which actor had the highest number of Twitter followers.

Social media has definitely changed the way fans interact and view celebrities.  Before social media existed, your only option to interact with a celebrity was to send a letter which would take time to arrive and respond to.  Nowadays, access and interaction  is practically instantaneous. The way we view celebrities has changed as well. Pre social media, everyone would rely on magazines such as “People” or “Us” to read about what was happening in the lives of our favorite celebs. Now, we only need to jump onto social media to see what celebs are doing off camera.

10. What inspired your return to acting?
After taking almost a decade and a half off from acting, I started to feel the need to be creative once again. I missed the feeling I used to get when walking onto a set for the first time.  I also had several friends encouraging me to return to the acting world. It was a chance meeting with Chris Roe at a convention in Canada that set all the wheels in motion for my return to acting.

11. More recently, you have created a podcast The Delta Flyers with fellow Voyager co-star Robert Duncan McNeill. Was podcasting something you had always been interested in? If you were to create another one – what types of topics would you want to discuss?
I’d like to start by saying that there is a podcast called “Delta Flyer” that was started by two Voyager fans a few years ago. My podcast, “The Delta Flyers” is an idea that I’ve had for over a decade now, but it took a pandemic for me to actually make this a reality. We uploaded our first podcast on May the Fourth, which funny enough happens to be Star Wars Day.  Each week, we watch an episode of Voyager and discuss our thoughts about the episode as well as talk about what happened on set, behind the scenes.  Originally, my idea was to do this podcast solo, but it was my significant other Megan, who suggested I ask Robbie to join me on this journey.  I had considered Robbie as a potential co-host years before but ruled it out because he has always been so busy working as a television director and producer, I knew he wouldn’t have the time to participate.  Once again, the pandemic intervened and the silver lining was that he had free time on his hands to be a part of my podcast idea.

If I had to create another podcast, I would love to do one discussing “Ancient Aliens” types of topics, such as UFOs, Aliens, the lost city of Atlantis, the Bermuda Triangle. Or maybe one where I just interview my favorite people from all walks of life, not just celebrities. 

12. What is your dream role?
My dream role would be anything comedic.  My resume is comprised of mainly dramatic roles but comedy has always been my true passion. Making people laugh would make me ecstatic.  Growing up, I was a huge fan of Saturday Night Live. I also adored master impressionist Rich Little. I suppose my ideal role would be sketch comedy with an emphasis on impersonations.

13. What does the future look like for Garrett Wang?
The future I would like to manifest is one where I am either doing dramatic work which inspires people, not unlike Star Trek, or comedic work which makes people fall out of their personal “Captain’s chairs” laughing. After all, laughter is the best medicine.

A woman of many talents, our June Spotlight features CRM client Alycia Cooper. While she got her start in stand-up comedy, Alycia has credits on hit network TV shows and blockbuster films alike. She’s also written and directed her own short film. We’re thrilled to have her.

1. While you have since opened comedy shows for names like Dave Chappelle, George Wallace, and Whitney Cummings, starting out you had to “earn your dues” by performing in some comedy clubs all across the country. What was this experience like?
Being an opening act is a right of passage for all comics.  I had a great experience on the road.  You learn something from everyone you work with.  You also gain exposure to their fan base, and if you work it right, you can capitalize on this aspect of your career as well.  Lastly, you stay in some really nice hotel rooms, and you perform is some fabulous theaters.

2. How did you find your comedic voice? How would you describe it?
It took me about six years to find my voice, which is the same amount of time it took me to gain the confidence that you need to succeed in stand-up.  I would describe my voice as brash, yet intelligent and palatable.

3. You’ve performed on many big stages throughout your career (America’s Got Talent and Last Comic Standing just to name a few). How do these performances differ from your sets at smaller venues?
The network shows bring network stress.  The bigger the audience, the more you worry about not doing well.  In a smaller venue, if you have a bad set, oh well, but on a global platform, one bad set can tremendously stall your career.  In the early 2000’s when Last Comic Standing first premiered, there were no social media platforms.  Today, if you bomb, it’s on YouTube forever.  Your grandkids, grandkids will be able to watch your dead ass.

4. Not just a comedian, you’ve also landed acting roles in hit network TV shows and voiceover work in blockbuster films. How has your background in comedy influenced your career as an actress? 
Comedy has been the biggest gift to my acting career.  Stand-up prepares you for all other forms of entertainment.  A main benefit is that you’re not afraid to perform in front of others, whether it’s in an audition room, or on a set.  Two, you have to be authentic to be successful as a comic.  An audience can smell inauthenticity and it will keep them from being able to laugh at your material.  This same skill works well in regard to the depths comedians are able to go to in their dramatic works.  Several comics have won Oscars for drama.  Great comics have myriad performance levels they can pull from.  I’ve been fortunate to have been a part of some well- regarded projects, including voicing several roles in the blockbuster movie, “Spiderman:  Into the Spider Verse” which has grossed over $376 millions dollars worldwide.  It was my stand-up comedy background that helped me nail the audition.

5. Last year, you were a series regular on Poz Roz. What was your favorite thing about playing Michelle? 
I really enjoyed the role of “Michelle,” because although our life experiences were vastly different, I could still relate to her.  She wasn’t me, but she was a collection of close friends of mine.  I also liked her free spirit, no-nonsense, blunt way of showing up in the world.

6. What would your dream acting role be? 
My dream acting role would be the opportunity to play a diabolical character who doesn’t give a damn about what anyone else thinks.  I would really love to be mean on screen, just unlikeable.  But, sneakily unlikeable.  Like sweet in your face, but wretched behind closed doors. 

7. Earlier this year marked the premiere of Trade, a short film you wrote and directed. What was the process of creating this film like?
“Trade” was a labor of love.  It’s what I would imagine child birth to be like.  Several months of pain, but in the end, it was all worthwhile.  Writing, directing and producing an independent short film is a ton of work.  You can look at the end credits to see all the people and locations it took to pull this thing off.  I wanted “Trade” to be my feature directorial debut, but I knew that I would never be about to raise the amount of money that it would take to do it properly.  So instead, I wrote it as a short, and crowd funded in order to make this film.  Crowd funding is a special beast in and of itself.  While I was crowd funding, we began casting.  I had a hand in every step of making this dream a reality.  We shot five days of footage in three days.  I averaged four hours of sleep each night.  We got it done.  Then, after filming, came the editing, then the color correcting, then the sound editing/ mixing, etc.  It took sixteen months to complete this film.  I’m very pleased with the outcome.  I was already a member of the Director’s Guild of America, having been a television field producer, but this was my first foray into directing a narrative.  I am very pleased with the outcome and proud of what myself and my team achieved.  The final product is currently airing on UrbanFlix.TV.

8. Your next short Just Us, is in the pre-production phase now. Are writing and directing things you see more in your future? 
Yes, I plan on transiting to writing, directing and producing my own projects and giving myself acting roles in them, like Spike Lee did in his early days.

9. What is your biggest career goal? 
I have no idea what my biggest career goal is just yet.  My loves, joys, wants and needs are constantly changing.  I’ll let the future decide for me.

10. What does the future look like for Alycia Cooper? 
Well, this Covid-19 thing has put a lot of things in perspective for me with all this forced free time.  I didn’t realize how my running around I was doing daily until I was forced to stay at home.  The county is now forever changed, and I’ll have no choice but to adapt like everyone else.  Maybe one day, I’ll be a business owner, living down south somewhere, where the cost of living is cheaper.  Whatever I end up doing, I’ll make sure to keep myself thoroughly entertained.

For our June Spotlight we’re thrilled to have CRM client Michael Broderick. A veteran, a musician, loving family-man, and an actor. His credits include Justified, Legion, Get Shorty, True Detective, and more.

1. Before pursuing a career in acting, you were in the United States Marine Corps. What inspired this change in career path? Was acting something you’ve always wanted to do?
It wasn’t a change in path as much as it was a return to my earliest intentions. I joined the Marine Corps to challenge myself and because I felt a duty to serve. I thought I would complete my enlistment and head straight to Hollywood. It didn’t work out quite that way, but I eventually got here.

2. How has your military experience influenced you as an actor?
My time in the service certainly helps me book certain kinds of roles. Military bearing is not something you’re born with; it has to be drilled into you. It’s also fairly easy to spot actors who are “putting it on” without the required research and preparation. It’s like any other skill. If I’ve already got it in my back pocket, everything else being equal, I’ve got an advantage over the actor who doesn’t. Beyond that, earning the title of Marine taught me that I can accomplish very difficult tasks if I choose to set my will to them.

3. You’re also a skilled musician, spending many years playing guitar in New York’s punk rock scene. How has this influenced your career?
Playing live music taught me many lessons on collaboration, shared goals, live performance, reading an audience and, finally, knowing when to move on. I also met my wife after a show at CBGB in 1998, so it definitely influenced the rest of my life in a wonderful way.

4. Do you still play gigs here in LA? How prevalent is music in your life?
I still play guitar every day. I taught my son to play bass and, every so often, we’ll jam. I love watching him discover things he hadn’t heard before. We both dig stuff from the 70s and 80s. Occasionally, I host a music night for Veterans in Media & Entertainment here in Los Angeles where a bunch of us get together and share music, live on stage. It’s a great way to scratch that particular itch with a group of folks who really understand each other.

5. In the early 2010’s, you had a recurring role on the hit FX series Justified. What was that experience like?
It was awesome! Justified was a great show. The recurring role was really a surprise as I had a minor role in season 3, then they asked me to come back in their final season. I actually asked one of the A.D.s about it and they said, “We’re bringing back a bunch of people we enjoyed working with”. Wow. It was a huge validation for me and a reminder to always bring my best self to set. Show up early. Do good work. Be kind.

6. Just last year you had another recurring role – this time on the third season of HBO’s True Detective. What was it like working with Nic Pizzolatto?
Well, HBO just continues to produce top level entertainment, so to be a small part of that family is a major thrill and True Detective was an absolute game changer for me. Locking eyeballs and trading impulses with 2-time Academy Award winner Mahershala Ali and Stephen Dorff is something I’ll never forget. And Nic Pizzolatto? Wow! Not only did I get to speak his words but my character, Special Agent John Bowen, appeared in both of the episodes that Nic directed. I adore his work and can’t wait to see what he does next. Somebody needs to let him take a crack at Batman.

7. What was your favorite thing about playing Special Agent John Bowen?
My favorite thing about playing John was the fact that he was a fish out of water in a sense. Here’s this federal agent, born and raised in the North East, assigned to this case in rural Arkansas. The way local law enforcement operates is a little foreign to him but he’s a team player so there’s a balance he needs to maintain, even when his instincts pull him in another direction. We see evidence of this when he and Wayne Hays (Mahershala Ali) butt heads a little bit over evidence in the bullpen (Episode 4: “The Hour and the Day”).

8. I understand you’re a big advocate for Autism Acceptance. How did you get involved and what would you like people to know about it?
Like many parents, I got involved when my son was diagnosed with autism. My wife and I discovered rather quickly that we could learn more from the experiences of autistic adults than we could from other parents. Most of all, I want people to understand that autistic individuals need understanding and acceptance rather than pity or fear. 

9. Who is your biggest inspiration?
Anyone who does difficult things because they need to be done. I constantly draw strength from folks around me who see a need and find a way, often selflessly, to fill that need. Service to others is inspiring.

10. What is your dream role?
Gosh. I’ve always been a bit of a nerd, a gamer and a fanboy, so I love comic books, science fiction and fantasy. Something in one of those genres would be really fulfilling. Also, I’d consider giving up a finger (of my picking hand, not my fretting hand) to be a part of anything written and directed by Steve Conrad (Perpetual Grace Ltd., Patriot).

11. What does the future look like for Michael Broderick?
I’ve got my eye on a few projects. News of Sam Esmail’s Battlestar Galactica reboot is exciting. My understanding of the genre paired with my military background makes me a formidable candidate, I think. The upcoming series based on author Jack Carr’s The Terminal List is of particular interest to me. Finally, I’d love to go back to work for the folks at HBO when they tackle The Last of Us. Like it says in Garth Stein’s The Art of Racing in the Rain, “That which you manifest is before you”.

For our May Spotlight, we’re thrilled to have pop culture icon Traci Lords with us. While many people know her for her roles in Cry-Baby, Blade, Zack and Miri Make A Porno and Blade, Traci is also a NYT best-selling author, a director, fashion designer, and a mother.

Wanda Woodward in Cry-Baby

1. This year marks the 30 year anniversary of Cry-Baby. What was it like working with John Waters?
Wow! It’s hard to believe we made Cry-Baby 30 years ago this April! I remember it so vividly. Working with John Waters was incredible and I owe my career to him.

2. What was your favorite thing about playing Wanda Woodward?
One of the best things about working on a JW film is that your character exists in this sort of heightened off beat reality. And that’s a lot of fun to play with! I loved Wanda’s bluntness. She was a slick talker who could take her revivals down with just a look!

3. At the time, would you have ever thought Cry-Baby would become a “cult classic”? How do you feel about that status now?
At the time, I didn’t realize what a style icon Wanda would become in the Rockabilly scene! I think it pretty cool that, 30 years later, fans still emulate bad girl Wanda Woodward.

Bubbles in Zack and Miri Make a Porno

4. How did that film shape the future of your career?
Cry-Baby wasn’t my first film but it was the film that really “started” my Hollywood career. Sadly, the movie wasn’t a box office hit but it got a lot of press and attention because it was Johnny Depp’s first real lead in a movie. It was a game changer for me. I got cast in a lot more comedy after Cry-Baby.

5. You’ve also had iconic roles in films such as Blade and Zach and Miri Make A Porno. What was it like playing these characters?
Horror remains one of my favorite genres. I’m always hungry for more!

Gloria Jean Kojax in Women Behind Bars – Photo By Bart Mastronardi

6. You were recently in a production of Women Behind Bars at the Montalban – your first time doing theatre. How was this experience?
I made my stage debut in Women Behind Bars this past February and it was the most challenging job I’ve ever had. The role of Gloria really gave me a chance to use my range as an actor, in ways I’ve rarely had the opportunity to do so in the past.

7. What did you find most challenging about theatre? What did you find most exciting?
The most challenging part of being a cast member of Women Behind Bars was just the vast amount of prep work! Memorizing that much dialogue and never leaving the stage was crazy challenging!

Photo By Hedi Calvert

8. Do you foresee more theatre performances in your future?
Definitely.

9. You’re also a New York Times best-selling author. What inspired you to write an autobiography?
I was tired of people telling their version of my story. So, I decided to write my own.

10. For your portrayal of Victoria Chastain in A Tale of Two Sisters, you have received lots of recognition and many Best Actress Awards in the festival circuit. What was it like going back to the Golden Age of Hollywood for that role?

Photo By Jason Tidwell

Initially, I was attracted to the role because it was film noir and well…we don’t get to do that often! But what was even more interesting to me was the actual material. Chris Roe wrote a character that was broken, mean and vulnerable. I didn’t like her and I struggled with her darkness. I wasn’t sure how Victoria would play to audiences but I think that Chris did an incredible job directing this piece and building these characters and making them relatable.

11. What is your dream role?
I don’t have a dream role. The “dream” is to have the opportunity to keep growing and being challenged as an artist. My wish is for good people and good writing.

12. What does the future look like for Traci Lords?
We shall see….

Victoria Chastain in A Tale of Two Sisters

For the month of May, we’re happy to have LA-native Lawrence Kao as our “Spotlight” client. With a background in dance and a degree in theatre, Lawrence is a multi-talented actor whose credits include: The Walking Dead, NCIS: New Orleans & Los Angeles, The Originals, and The Purge, just to name a few. Most recently, you’ll catch him as a Series Regular on Netflix’s Wu Assassins.

Kaba Modern Dance Team

1. Early in your career, you had success as a member of the Kaba Modern dance team – placing third in the first season of ABDC. When did you know you wanted to shift your focus on acting?
Before dance, I was majoring in theater at the University of California, Irvine. Interestingly enough, my focus was already on acting. Looking back at my time on America’s Best Dance Crew, I actually wish I was more present. I viewed the show at the time as a career setback, being unable to audition in LA and begin pursuing what I really wanted to do. It made my time on the show and the dance gigs that came after more internally conflicting. If I could go back, I would focus more on enjoying what was happening to me in that moment and embracing that specific experience.

2. Is dance still a part of your life? Would you be interested in a role that allows you to showcase both your skills as a dancer and an actor?
Dance is definitely still a part of my life. It’ll never leave me. Over the years, I’ve learned to use it to my advantage instead of hiding it in a box in another room. Having a kinesthetic understanding of my emotional body serves me heavily in every character I explore. And yes, of course I would be interested in a role that allowed me to explore both art forms. I actually just got funding for a feature I wrote that does just that. I just gotta make it now!

lawrence

Tim in The Walking Dead

3. In 2012, you had a recurring role in AMC’s The Walking Dead. What was this experience like?
This was exhilarating. Although my character doesn’t make much of an appearance throughout, just being on set for something like this was monumental for me at that time. I took this gig locally so I basically did this for no monetary gain whatsoever. I rented a car and couch surfed for a few months in Atlanta with a stranger who is now a really good friend. It took me two and a half hours to get to set. If they needed me at 6am then I’d be up at 3am. Driving back up after an all nighter was grueling. But man, being surrounded by amazing sets and prosthetics was absolutely incredible. The whole experience was so stimulating for me as a a young actor and became a right of passage for me in my career.

4. Your TWD character, Tim, is a soldier for the antagonist Woodbury army who kills many people. How do you prepare (or get in the head space) for such a role?
To be honest, being on set for something of this caliber just required me to be present and experience the story within the environment production created. That would get me there instantly. I never viewed Tim as a killer. He just found himself in an apocalyptic circumstance and had to do certain things in order to survive. Preparation is easy when you’re surrounded by an amazing set and zombies. The whole experience felt like a rollercoaster. I just had to put on my seatbelt and ride it all the way through.

5. After TWD, you had another recurring role during the third season of The Originals playing a witch named Van. How was it playing a character with magical powers?
Another door in your imagination gets to swing wide open when you have powers. Van’s storyline was held together by him seeking revenge. Exploring that thirst for vengeance with magical abilities was satisfying.

6. In both of the aforementioned series (TWD and The Originals), your character is killed. How is it playing these scenes?
It guts me a bit whenever I read my death on the pages. Someone’s gotta do it though haha. The best way to play death scenes is to explore the expectation of it not happening at all. When I breathe in all the beautiful possibilities of life for a character who’s about to die, it makes that final moment much more devastating for me to experience.

Manford in The Great Leap

7. In early 2019, you were in a production of The Great Leap at The Guthrie Theatre. How was this experience?
Absolutely amazing. It’s a 700 seat theater without any mics. You need to really command the stage. I feel like a lot of growth happened here. But man, staying in Minneapolis during the winter of that year made me realize how much I do not like the cold.

8. Have you been in many theater productions before? Is this something you’d like to continue doing in your career?

Manford in The Great Leap

Besides the Guthrie, I’ve worked at East West Players, South Coast Repertory and San Diego Repertory. Every night is going to be different, and being able to sharpen that tool to make it so, is very important for me in my art. Exploring story so that every experience becomes a new discovery no matter how repetitive, is a muscle that I absolutely enjoy working out. I began doing theater in high school so this is where I come from. Especially during this pandemic, I would love to do some theater right now.

Tommy Wah in Wu Assassins

9. Recently, you were a series regular on Netflix’s Wu Assassins. What was your favorite thing about playing your character, Tommy Wah?
Exploring the vulnerabilities of a character that people would normally deem negative is my jam. I love it. There’s so much going on in this dude. He’s held on to this belief about himself that others have projected on him. Slowly stripping that away throughout the season was such a joy to do. Playing such a disdainful character that people can eventually empathize with was my favorite thing. I also got to throw down some dance moves and play the piano for some scenes. That was pretty sweet.

Tommy Wah in Wu Assassins

10. What is your dream role?
Something that really brings out my comedic idiosyncracies. I feel like people haven’t been able to see that side of me yet.

11. What does the future look like for Lawrence Kao?
Bleak. Just kidding. Who knows. Let’s ride it out and see.